Margot Douiahy (2023): Breaking Boundaries: Noir, New Technologies, and the Power of Representation 

Presented in partnership with the National Centre for Writing  

In this keynote lecture, Margot Douiahy examines the intersection of noir, new technologies, and inclusivity. The discussion offers a critical exploration of the ways authors and creators are leveraging new approaches, multimodal methodologies, and tools like Virtual and Augmented Reality to create immersive and interactive narrative experiences that challenge the received canon of noir. 

Yelena Moskovich (2022): It’s Terrible to be Terrible and Still Want Love 

Presented in partnership with the National Centre for Writing 

Link to transcript: https://noirwich.co.uk/the-noirwich-lecture-2022-yelena-moskovich/  

We were honoured to welcome the award-winning Soviet-Ukrainian American and French novelist and artist Yelena Moskovich for the annual Noirwich lecture. Moskovich’s ground-breaking novels trenchantly atomise and repurpose tenets of crime fiction to explore fractured identities, living histories and uncanny sins. Their timely lecture – a transcript of which you can find below – reflects on the volatility and mutability of the written word and the world, and explored what if crime wasn’t a story being told, but a language being spoken? 

Megan Abbot (2021) 

In 2021 Megan Abbott delivered the annual Noirwich Lecture, giving a rich, nuanced, and thoughtful reflection on the ethics and responsibility of the crime writer, and the need to reframe the focus in news journalism.  Megan also discussed true crime in the age of the docuseries, providing a fascinating look into the current state of documentaries and the explosion in popularity of true crime. Whose point of view is taking centre stage? How does crime writing feed into corrupt systems and which relationships do we need to reassess going forward? 

Attica Locke (2020) 

Watch award-winning US author and screenwriter Attica Locke present the 2020 Noirwich Lecture, in which she explored the ways that crime writing can challenge the distribution of power and authority at a structural and individual level. Drawing on examples from her own career and writing, including the Highway 59 novels, she reflects on how the genre can help to drive action towards decolonising institutions such as universities.